#Remind me you tube free

Released Apvia Other Songs, “Clear” is the lead single off Scott Orr’s forthcoming new album Horizon, a record he wrote and recorded within the scope of ten days last month (from March 10-20, to be exact). Heaviest eyes, it’s funny watching you try to hold them open that way. Clear – Scott Orr Maybe you’re tired, you never say when you’re tired but I can tell that you’re tired. His latest single aches with enchanting allure and raw, heartfelt feeling: Moody, brooding, and absolutely beautiful, “ Clear” is a vulnerable, poetic reflection on heavy emotions and the ways in which we connect in the moment. You can always rely on an Orr release to drift you in-between the realms of reality and dreams whether he’s singing about love, death, or anything in-between, his intimate, gently ethereal indie folk music invites us to relax, to let go, and to dwell in our own space.

#Remind me you tube free

The retro, our unique way of editing their work, has an average rating of 9.8/10.īut this approach, which means you get free award-winning content from fresh new voices without outside pressures, is only possible with your support.Canadian singer/songwriter Scott Orr has long been a weaver of dreams his recent albums Worried Mind (2018) and Oh Man (2021) are two personal favorites, in large part because of how soothing they are. 90% gave us a perfect score on our communication and approach. We ask every creative to rate our process. It's been described as 'like therapy, but for writing' - and it's helping. Understanding why, not just what, helps them grow their journalistic flair - and get more commissions. The session is designed to put them in control of their edit and to help them understand the reasons behind any changes we suggest.

When we work with emerging and marginalised writers who want to build their craft we offer them a skills session with every commission. The way QueerAF works with contributors is different from most outlets. Just hanging out, listening to poetry, looking at books we can’t afford to buy, celebrating the appetite for life that drag performers release into the crowd like so many doves at a wedding. This is the lifeblood of queer joy we recharge each other. I, in turn, asked a glorious person how they got their eyeliner so perfect and we swapped stories about the best hair dyes for glow-in-the-dark shades. Rosie complimented my nails (always black, always glitter) and I died a little gay death of happiness. We do something extraordinary when we all exist together, witnessing each other. Being in queer spaces not only gives me hope but gives me power. The energy and delight of looking around the room and seeing so many members of The Family™ was a tonic. I was reminded of the endurance and unsquashable will to live, create and celebrate that queer people have always had. Last year, I met queer punk-rock poetry legend Rosie Garland at a queer poetry night hosted by the University of York. It’s why queer events pop up all over the country, even in the most remote isles. This shared looking is a powerful experience of togetherness, of seeing each other and ourselves with no hint of shame or admonishment. In Over The Rainbow cafe and in Portal bookshop in York where I live, I look and am looked at with celebration and welcome. Queer visibility is a form of rebellion all of its own. Indeed, the tremendous political power of queer spaces lies in being seen: in refusing to blend in and erase ourselves. Here I feel the life-affirming power of recognition and celebration. In the sacrosanct mania of the drag night, the hallowed isles of the queer bookshop, and the gathering of souls at a queer poetry night. But these discomforts evaporate in queer spaces. This combination of being looked at with wariness by others and of not daring to look at others myself can lead to loneliness and isolation. I don’t want the women around me to feel any hint of the kind of predatory looking that so many are subjected to by some men, so I look at the ground. Or the looks of confusion or alarm in women's bathrooms, where some women are upset by what they see as a male being in their space.Įqually, I tend to avert my gaze from other women in these public, gendered, single-sex places. For me it’s the occasional stare from children in gym changing rooms who ask their mums loudly, 'What is that boy doing in here?'.